Reviews:

CHAIM’S LOVE SONG, THE GOD OF ISAAC, THE CHOSEN

 

THE MIRROR

 March 4, 2008

CHAIM’S LOVE SONG

Theatre Review by Mark Andrew Lawrence

 

Chaim. It means life, and the title character in Chaim’s Love Song is full of it.  This play by Marvin Chernoff enjoyed a successful run in New York in 1998 and is currently on stage at the Leah Posluns Theatre in a production by Teatron.

 

The piece is essentially a memory play as Chaim befriends a young newlywed in the park behind his Brooklyn home and shares with her the stories of his life.  His tales are so vivid that over the course of a few short hours we get a remarkable picture of this now-retired postman, his friendships, his family and most of all, his second wife who ultimately learns to share his joy in life.

 

The play is simple and touching, and at times uproariously funny. Best of all it is enlivened by Irving Dobbs’ larger-than-life portrayal of Chaim. He creates such an instantly likable character that we can easily understand why the young lady not only stays to listen but returns day after day for more. 

 

Kelly is a young teacher from Ohio who forms this unlikely friendship with Chaim, listening to his stories and learning how to solve her own marital problems. In lesser hands her co-star could easily eclipse this role, but Julie Holdsworth’s performance makes her so much more than just a passive listener. It is through her that we come to know and love this master storyteller.

 

The others in Chaim’s life include his best friend Oscar, played with philosophical charm by Jack Berke. It’s fun to watch these two walk endlessly around the park arguing over the smallest of details.

 

There are arguments as well with Chaim’s children. Kivi Shapiro plays the son who works sporadically playing a gorilla in a children’s TV show, and Leah Chwaiewsky portrays his unhappily married daughter, as well as a number of other characters.

 

Andria Siegler has a short bright cameo as the determined matchmaker who introduces Chaim to his second wife, Tzawrah played with sensitivity by Reva Lawry.

 

Ari Weisberg’s staging, aided by Daniel Sonenberg’s effective lighting design, makes it clear when Chaim’s memories are taking over the stage. Even within this simple staging, we always know where and when the action is unfolding. The pauses between the scenes, particularly near the end of the play should be tightened, but that is a minor problem. Chaim’s Love Song is a sweet show, without ever becoming saccharine. Weisberg notes in the program that after reading the play several years ago he fell in love with it. You will too.

 

Chaim’s Love Song plays until March 9 at the Leah Posluns Theatre, 4588 Bathurst St. Performances at 8PM Wednesday and Thursday, 8:30 pm Saturday and 2 PM on Sunday. For tickets call 416-781-5527.

 

 

The North York Mirror

THE GOD OF ISAAC

Bottom of Form

James Sherman's play The God of Isaac originally premiered at Chicago's Victory Gardens in 1985 and helped launch Sherman's career.  It uses a play-within-a-play structure as Isaac Adams tries to recap for us his search for spiritual identity. Born into a Jewish family, he never really took his faith seriously and has not attended services since his Bar Mitzvah. Now established as a successful writer and married to a "shiksa" goddess, the risingly successful model Shelly; he begins a journey of discovery. 

 The result is often hysterically funny and at times surreptitiously touching. The performers under Ari Weisberg's crisp direction keep the play moving at a quick and steady pace building to a correct yet surprising ending.   

 As Isaac, Lorn Eisen is marvel. He focuses our attention on the story at hand, acting as both narrator and performer while guiding us from place to place. It is a confident performance that never once loses focus, even as he deals with interruptions from his meddlesome but loving mother. 

 Andria Siegler plays her in a delicious performance that places the actress in the audience to watch Isaac's play. Not one to hold her tongue when she disagrees with what she sees on stage, you never know when she is going to comment on some detail. These outbursts are a constant source of laughter yet Siegler never overplays the stereotype.  

On balance, Limor Markovzki plays Chaya, the former girlfriend and now best pal of Isaac whose own life takes some frustrating turns that she documents in a series of touching letters. The playwright delicately shifts sympathy to Chaya while creating a strong and independent character for Shelly, Isaac's wife. Shelly never quite understands why it is suddenly so important for Isaac to connect with his spiritual roots.  It is a role that could seem unnecessarily harsh but given Erin Tancock's sensitive handling, the character comes across as vividly three-dimensional. 

Add to this a series of cameo roles played by chameleons Sam Walters and Miles Cohen and you have a top notch ensemble cast that make every moment in this short but fascinating play count. It's all greatly enhanced by Daniel Sonenberg's creative yet unobtrusive lighting.  

 This play sheds light on a universal theme that will provide far more than just ninety minutes of sparkling entertainment. Don't miss it!   

Teatron presents The God of Isaac by James Sherman at the Leah Posluns Theatre, 4588 Bathurst St, until Sunday March 25. Performances are at 8 Pm Thursday, 9:15 PM Saturday and 2 PM Sunday. For info or tickets go to www.teatrontheatre.com or call (416) 781-5527. 

Mark Andrew Lawrence presents FRONT ROW CENTRE, Sunday nights at 7:00 on FOXY 88.5 FM. This week featuring the current Broadway hit BEAUTY AND THE BEAST. 

 

 

THE CHOSEN

Modern classic done proud in local effort
(Posted Date: Monday, December 6, 2004)

By Sandie Benitah

REB WITH A CAUSE: Herb Goldstein (back to camera) plays Reb Saunders, teaching son Danny (Benjamin Blais) and friend Reuven (Neil Steen) in The Chosen, based on Chaim Potok's novel.

It’s not often that a community theatre production is able to do justice to a great novel and a great movie, but the Teatron Theatre community group’s production of The Chosen proves beyond a doubt that it can be done.

The theme of the story — and the theme of the night — becomes clear when the young Rueven Malter says at the outset "you can’t judge a book by its cover." And one shouldn’t. Staged in a small, crowded gymnasium inside the Leah Posluns Studio Theatre, the play is superbly directed and comes off beautifully despite its simple surroundings. This production, with its realistic settings and accurate dialogue, deserves accolades for its moving performance.

Director and producer Ari Weisberg’s use of lighting and stage direction combine brilliantly to juxtapose the past and the future, as well as the orthodox and secular Jewish home.

The main theme of the story, written by Aaron Posner and Chaim Potok, is about the preconceptions — often misconceptions — we have of others and of ourselves. But to the local, tightly knit Jewish community, it’s also about the preconceived notions of what being Jewish is all about, specifically during the Second World War up until 1948, with the creation of the State of Israel.

However, while the story is engrossing, it is the strong and accomplished performances by all five of the main characters that keep the audience transfixed for the entire 90 minutes. Benjamin Blais, as Danny Saunders, a young orthodox Jew, and Neil Steen who plays the young Reuven Malter, steal the show with the subtlety and sincerity of their portrayals of two friends struggling with their differences and with the relationships they have with their fathers. Utterly believable, these actors expertly depict the mannerisms and speech of two boys from very different cultures.

Although the story revolves around religion, the themes of friendship and acceptance, so prominent an well-achieved in this rendition of The Chosen,will touch everyone.

The Chosen will continue to play on stage at the Leah Posluns Theatre until Dec. 12. The theatre is located in the Bathurst Jewish Community Centre at 4588 Bathurst St.

 

 

 

This article also found in:
Forest Hill,North
Toronto,North York

 

 

Posted Date: Monday, December 6, 2004
Story Location: http://www.towncrieronline.ca/main/main.php?direction=viewstory&storyid=4256

tribune logo

 

December 2, 2004 — 12 Kislev, 5765

You don’t have to be religious to enjoy The Chosen at Leah Posluns

 

By Barbara Shainbaum
Tribune Correspondent

Although the play, The Chosen, is filled with Biblical learning, Talmudic quotes, and profound Jewish issues, it triumphantly speaks to the encompassing human spirit and not just to a parochial view of Judaism. It’s a thoughtful and moving play based on Chaim Potok’s 1967 novel bristling with splinters of humour that touches on the pulse of humanity and still very relevant today.

Aaron Posner’s adaptation with Potok of The Chosen won the 1999 Barrymore Award for Best New Play. First produced in the United States and then at the Winnipeg Jewish Theatre, the Toronto run is now directed and produced by Ari Weisberg of Teatron Theatre. The Chosen is the story of a friendship between two Jewish teenagers in Brooklyn during the 1940s. When Danny Saunders injures Reuven Malter during a heated baseball game between their rival yeshivas, Danny visits Reuven in the hospital and a grudging and unique friendship is born. Both come from Orthodox families, but Danny is the scion of a Hasidic dynasty, while Reuven is the son of a professor, a scientifically minded Orthodox scholar. Their two very different Jewish communities are five blocks and a world apart.

“Reuven Malter’s comment that you can’t judge a book by it’s cover brings to focus the premise of the play, that our preconceived notion of who is flexible and who is not, do not always match reality,” says Weisberg in his director’s notes. “In The Chosen, choices have to be made by all as they encounter life’s challenges, difficulties and opportunities. As in the Talmud, the characters debate, consider and in the end find creative resolutions to the questions that life poses.”

Reb Saunders, Danny’s father, tests Reuven on his appropriateness as his son’s friend, while David Malter, seeing his son’s friend’s hungry mind, secretly educates Danny with world literature and Freud. Baseball, spiritual and intellectual concerns draw the boys together. When Reuven’s father has a heart attack, Reb Saunders invites Reuven to stay with his family, but when David Malter, Reuven’s father, gives a fiery pro-Zionist speech, Reuven is forbidden to stay friends with Danny because his father now disapproves. As the boys grow to manhood, they are forced to learn important lessons about each other, their fathers and themselves and the meaning of the Talmudic saying that hangs as a banner in Hebrew on the stage, ‘These and those are both the words of the living God.”

As the grown-up Reuven Malter, actor David Frisch deftly narrates the tale as he looks back on his boyhood. Neil Steen as young Reuven Malter and Benjamin Blais as Danny Saunders both bring a passionate zeal and a steely resolve to their characters off-and-on friendship. Herb Goldstein inhabits the role of Reb Saunders with a grandiose, authoritarian yet loving paternal energy. And Jonathan Siegel invests David Malter convincingly as the more progressive intellectual Zionist father.


Ari Weisberg has done an admirable job of directing The Chosen, making it a vivid and timely theatre piece. You don’t have to be Jewish or religious to enjoy the work. Sure there’s a spiritual quality to The Chosen, but it’s a universal one.

This Teatron Theatre Production runs from Nov. 27 to Dec. 12 at the Leah Posluns Theatre. For information and tickets, call 416 781-5527.

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B’nai Brith Canada

 

 

The Chosen: A play to exercise your brains

By DAVID SILVERBERG
Special to The CJN

Adapting a good book into a play can produce theatre that will attract readers. A Toronto theatre company will test this theory by staging one of the most celebrated novels of contemporary Jewish literature.

The Chosen, Chaim Potok’s best-selling novel, will run from Nov. 27 to Dec. 12 at the Leah Posluns Studio Theatre.

The company, Teatron, chose Aaron Posner’s adaptation, which includes “some foreshadowing from the book’s sequel, The Promise,” says artistic director Ari Weisberg.

The play’s theme centres on religious tolerance, Weisberg says. The Chosen traces a friendship strained by differences in 1940s Brooklyn.

A chassidic boy, Danny Saunders, meets a modern Orthodox boy, Reuven Malter, at a baseball game and they develop a bond tighter than the labels attached by their families.

A question surfaces from this friendship: which way is the right Jewish way?

Behind the conflict over religious divide is the subtext of father-son relationships, Weisberg says.

“Reuven is a straight-thinking practical person who is very close to his father, and spends every evening studying Talmud with him. Danny’s father is more old-country Europe with a removed and silent parental approach.”

This dichotomy brings up the issue of education and whether teaching children one way excludes other possibilities.

What divides the fathers most is Zionism. Reuven’s father hopes for the creation of a secular Jewish state while Danny’s father, a rabbi, considers that desire blasphemy until the coming of the Messiah.

Weisberg admits the tempo will be fast-paced to capture all these situations, so “the transitions between the 19 scenes dissolve into each other,” he says.

Not only will Potok’s writing be one of the key attractions, Weisberg adds, but the American author’s ability to balance the various conflicts is a director’s wish come true.

The Chosen stars David Frisch as Reuven, Herb Goldstein as Reb Saunders, Jonathan Siegel as David Malter, Neil Steen as Young Reuven and Benjamin Blais as Danny.

First adapted by Aaron Posner in 1999, The Chosen won that year’s Barrymore Award for Best New Play and has since been staged across North America.

Posner collaborated with Potok a year before the award-winning author died, and they tweaked the format to fit the stage: Reuven is the on-stage narrator who unfolds his memories as they happen.

Teatron patrons are hungry for intellectual theatre, says Weisberg. “The plays we choose can work both on the surface as an interesting story and also have a subtext so rich and intriguing that people can’t help talking about it for days.”

Teatron offers an outlet for those ideas by hosting a Thursday night discussion after the show. Weisberg and the cast will talk about the play’s questions “that affect lifestyle decisions Jewish people live through.”

Weisberg says The Chosen allows thinkers to exercise their brains. “It’s open-ended so when you leave the theatre, you can come up with your own way of how the characters end up.”

The Chosen runs from Nov. 27 to Dec. 12at the Leah Posluns Studio Theatre, 4588 Bathurst Street. Tickets are $15 to $30. For tickets, call 416-781-5527.