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REVIEW: Hard Love by Motti Lerner

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Jewish Tribune

Thought-provoking play only around a few more days

   
Written by Atara Beck   
Wednesday, 12 January 2011

TORONTO – Reading the plot summary of current Teatron Toronto Jewish Theatre production Hard Love – a divorced couple become reacquainted 20 years later because of their respective children, who were romantically involved – one might expect a light comedy. But this thought-provoking play, set in the ultra-orthodox Jerusalem neighbourhood of Mea Shearim and in Tel Aviv, is far from a weightless chick flick.

Written by award-winning Israeli playwright Motti Lerner, the powerful romantic drama tackles issues of religion, faith, loyalty and true love.

Hannah, the sheltered mother of the bride, is played convincingly by French Canadian actress Tara Nicodemo. Montreal native and veteran actor Howard Rosenstein portrays Zvi, a talented writer who had fled the cloistered community although, on an emotional level, he never managed to completely escape.

The play demonstrates the extreme divisiveness in certain segments of Israeli society between the haredim and the secular; there is no ‘middle ground’ in this story.

Although Zvi had rebelled against the tight authority of the rabbinate and what he sensed was fear mongering, it was his refusal to tolerate any religious expression whatsoever in his home that caused Hannah to utter the interesting observation that in their case, it was he, not she, who was the fanatic.

Hard Love was first performed in Israel in 2003; it premiered in English two years later in North Carolina. Ari Weisberg, Teatron’s artistic director, initially doubted that the play would succeed in North America.

“I thought, well, a play about a conflict between the secular and ultra-orthodox? I didn’t think it would catch here,” he explained in an interview. “But when I finally saw it and read it a couple of times, I fell in love with it. I saw there is this conflict, but it’s not a political conflict like it is in Israel. It doesn’t bring all the political antagonism. It’s a personal conflict within themselves and between themselves. Zvi claims he’s so secular, but to me he’s really not. That’s why he’s so scared of G-d.”

Nicodemo acknowledged, in conversation with the Jewish Tribune, that she “was not very familiar” with Jewish religious life other than having observed from a distance the Chassidic community in her hometown of Montreal. Nevertheless, “I felt very connected to Hannah from the beginning. I felt the same in many ways – her modesty, her belief in something greater than we humans.”

Rosenstein, too, was “very attracted” to his character. “There were many similarities to me. Searching for the truth. He doesn’t [necessarily] accept what is given to him as truth. He needs to poke at it, and by doing so he provokes a lot of anger from the community…even if it means abandoning love in the process. I have a lot in common with him.”

Hard Love, playing through Jan. 16 at the Toronto Centre for the Arts, is a captivating, superbly acted play that adds to the list of Teatron’s worthy cultural contributions to this city.

Last Updated ( Wednesday, 12 January 2011 )
 

  The North York Mirror

  • MARK ANDREW LAWRENCE
  • |
  • Jan 07, 2011 - 8:12 AM

FRONT ROW CENTRE: 'Hard Love' makes Canadian debut at Teatron

Provocative drama sparks differing emotions in all who see it

FRONT ROW CENTRE: 'Hard Love' makes Canadian debut at Teatron. Howard Rosenstein, left, and Tara Nicodemo appear in Ari Weisberg's Canadian premiere staging of Motti Lerner's provocative drama, Hard Love, on stage at the Toronto Centre for the Arts until Jan. 16. Photo/Courtesy
Teatron Toronto Jewish Theatre kicks off 2011 with a provocative two-character drama, with an interesting history.

The play is Hard Love, written by Motti Lerner, and premiered at the Haifa Municipal Theatre in 2003. This English translation was first staged in Durham, North Carolina in May 2005 but this is its first production in Canada.

For this auspicious debut, director Ari Weisberg has called upon two powerhouse performers to play the central couple. Tara Nicodemo is Hanna, an ultra-orthodox woman who seems to carry the weight of the world on her shoulders. She takes no joy in life and never smiles. From the moment she appears on stage with her hair covered and head bowed we see a woman who feels that God is constantly punishing her.

As her ex-husband, Zvi, Howard Rosenstein offers a multi-faceted performance. His response to God's supposed punishments is simply to turn his back on his faith, causing the marriage to break up and leading him to a life of polyamory. His secularism has driven a wedge between him, his family and the community in Mea Shearim. He must now live on the outside.

When the couple meets they do nothing but argue, but lurking beneath the resentment is smoldering passion that quickly reignites. In ways it is a variation of the classic good girl falls for bad boy situation, but Hannah is revealed to be pragmatic and manipulative, while Zvi's anger and hurt reveal a man who has discovered life without religious beliefs to be more productive.

Weisberg fills the stage with tension from the moment the play begins. The script, translated from Hebrew by Anthony Berris, has a formality that effectively supports the anxiety.

The play presents some thought-provoking ideas. Hannah's desperation plays into Zvi's anger and we see that these two do belong together even if their opposing ideologies make a successful relationship impossible.

Everyone who sees this play - and it is well worth seeing - will have a different reaction. For me, a person who has no religious convictions whatsoever, I tended to side with Zvi. Yet many in the audience will side with Hannah. Neither character is 100 per cent correct in their behavior and the play effectively examines that wonderful grey area that separates the two. Once in a while it becomes a bit mawkish, and there are a few dialogue exchanges that almost seem cribbed from an episode of Days of Our Lives, but beyond that are some fascinating arguments.

Hard Love is on stage in the studio theatre at the Toronto Centre for the Arts until Jan. 16. For performance times and ticket prices visit www.teatrontheatre.com. To purchase tickets call 416-781-5527.




 

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